As promised, I’m going to post a review of Indiana Jones and the Kingdom of the Crystal Skull, however it’s going to be a preliminary grade. About 30 minutes into the movie I started feeling very sick to my stomach and with about 10 minutes left I had to go stand to the side and watch the rest of the movie in case I had to dash to the bathroom, which I did as soon as the credits rolled. Somehow, after waiting 19 years for a new Indy movie, I got attacked by a stomach virus on the very night it opened. Obviously, because I spent most of the movie with my attention divided between my rumbling guts and the movie, hoping the movie would end before I had to vomit, I can’t tell for sure if the movie actually dragged in the middle, or if I just thought it was.
In addition to those distractions, once again the biggest, loudest retards in the theater sat behind me again, declaring loudly what they had “figured out” five minutes after the movie assumed that you knew. The theater we saw the movie in, a beautiful, new, medium sized theater with DLP projection, has a special screen for 21 and over only. It’s a nice idea, but I’d prefer a special screen for people who promise to shut the hell up during the movie.
First, I really liked the way they handled Indiana Jones being in his 60’s. What could have been a weakness was turned into an advantage. Although Indy has stayed in shape working for the OSS during World War II and continuing with his archeology adventures, he has also matured since we saw him last almost two decades ago. He goes by Henry now as much as Indiana. He doesn’t laugh like he used to when his enemy finds an amusing demise the way his younger companion does. In short, he’s turned into his dad in many ways. (They even drive this home by having Indy use a variation Sean Connery’s famous line from The Untouchables.)
Of course, despite the fact that he’s older, doesn’t mean he’s not Indiana Jones anymore. Even though he had a team of Soviet agents with guns trained on him, he still manages to make a spectacular get away and survives both a nuclear blast and getting his junk decontaminated in the first fifteen minutes or so.
I was worried that Shia LaBeouf’s character of Mutt would be an anchor around the neck of the movie, but he turned out to be a fairly pleasant surprise, countering some frantic, if naive, energy to the old, wizened Indy who saves his whip and fist for when it’s only absolutely useful. Of course, it didn’t hurt that he showed up on a vintage Harley Softail and led some KGB agents on a chase through Indy’s college campus on it, even if Indy was riding bitch. (What can sum up the struggle of good versus evil better than Indiana Jones on a Harley on one side and commie KGB agents on the other side?)
I enjoyed the fact that Spielberg and Lucas took not only Indiana Jones into the ’50’s, but also the plot line into the ’50’s. Where the ’30’s based Indiana Jones movies were earthbound, this movie, set in the nuclear age and the dawn of the space age, has a plot that reflects the ’50’s. All of the Indiana Jones movies have a supernatural element to them, and it was fun to see it move beyond a religious relic. (Also because of the ’50’s setting, there is some throw away non-sense about Indy being the victim of McCarthyism, but Spielberg and Lucas said their piece and moved on before it got too sickening. A real hero like Indiana Jones would never have been accused of communist sympathizing in real life, even under “McCarthyism” but Indiana Jones movies were never big on realism.)
I think the movie did suffer from a lack of a main baddy to cheer against. In the first and third movies there was not only “the Nazis” but the main Nazi bad guy whose death we could all relish, and of course Temple of Doom had Mola Ram. Cate Blanchett was cute in her roll as a Soviet colonel hunting the same powerful relic as Indy, but not exactly fearful. The Soviet that was supposed to be that guy wasn’t quite sadistic enough on screen to relish his downfall, as cool as it was.
It seemed like the middle dragged a little to me, though as I was thinking about it as I was in bed for the last 32 of the 36 hours, I can’t say as it really did more than any of the other Indy movies. It did seem that they did set up one or two big sets only to end up with not much of an action set piece that the sets seemed to beg for. I really need to see the movie again healthy before I can judge it fairly, but for now I’ll have to knock it down a bit.
John Hurt turned out to be a nice addition to the cast at the very end, and brought some good comic energy to the movie, and it was nice to find out what happened to Marion Ravenwood. (Now how about an update on Wille Scott and Short Round in the next movie?)
At the very end of the movie, Hurt’s character says something about it being a shame how much of life is wasted just waiting. No kidding. I hope that was Spielberg, Lucas, and Ford’s regret being expressed about not returning to the world of Indiana Jones for almost twenty years. Indiana Jones still has it, and I think if he rode again after shaking off the dust bunnies in this one, he could do it even better. Mutt tries to put on Indy’s hat right before the credits roll, but Indy grabs it away and puts it on his own head. Maybe he’s not quite done. There’s still 30 years of Soviets to fight.
Preliminary Indiana Jones and the Kingdom of the Crystal Skull: B+
UPDATE: The commies don’t like it, that’s another reason to like it.