I hadn’t seen Reds in a very long time, and I wondered if my perception of the movie would have changed over the last seven years or so, so I got the beautiful new HD DVD transfer that they put out for the 25th anniversary via Netflix and gave it a look over the last couple of nights.
First of all it’s a testimony to how good that movie is on the level of being just a movie that Warren Beatty was able to make me care about a three-hour story where the characters were all people that I wanted to punch in the throat.
Second, it’s worth watching for someone of my political viewpoint if only encouragement. A lot of the same crap you hear from the left now – there’s no real democracy in America, war is all about profit of the rich, the blood of the workers oils the machinery of capitalism – is the same crap you heard from the left in the 1910’s and the same crap the resonated with the Hollywood left in the early ’80’s when this movie was put out. It’s encouraging to know that no matter how many times the left is wrong, they’ll keep saying the same stuff over and over, so they can be easily ignored. (Though it’s easy to see how a naive person could buy into the pipe dream of a better world through communism in the early 20th Century; I’m not sure what the pipedream of a better world through Islamofacist victory is about.)
I also have to give Beatty a little credit in that he didn’t allow the movie to be a straight out propaganda piece. For instance, there is a great moment in the movie where Jack Reed (Beatty) and Emma Goldman (Maureen Stapleton) are in post-Revolution Russia having a conversation, and Goldman has realized that communism in the hands of Lenin is worse than the system she left and that it cannot work. Of course, I rather doubt the real Emma Goldman ever came to such a conclusion (at least the “it can’t work” part) and Reed gets the last word, but the doubt is in there none-the-less.
I don’t think that Beatty’s purpose was to make a good movie that points out the constant of the utter ridiculousness of the American leftist intelligentsia throughout the years, but taking it in the context of a 25-year-old movie about events 90 years ago, I think that’s exactly what he did.
Bravo, Mr. Beatty.